Free Download The Photographer's Assistant Handbook
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The Photographer's Assistant Handbook
Free Download The Photographer's Assistant Handbook
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From the Publisher
The author covers everything a good photographer's assistant should know: from required skills and responsibilities to business practices, lighting techniques, equipment, safety and technical tips, tricks and shortcuts. Assistants will learn valuable tips about shaping their careers, interviewing and transitioning to shooter. This book provides all the information needed to guide a rookie assistant through their career to professional photographer.
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About the Author
Matt Proulx has been a professional photographer's assistant in New York City for more than twelve years, working in the studio as well as on locations around the world. He was the first assistant named to the Advertising Photographers of New York board of representatives, and was responsible for establishing their assistant's program, The Assistant's Roundtable. In addition to his own assisting, Matt Proulx lectures frequently at workshops and seminars.
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Product details
Paperback: 152 pages
Publisher: Focal Press; 1 edition (April 20, 2000)
Language: English
ISBN-10: 0240804139
ISBN-13: 978-0240804132
Product Dimensions:
8.8 x 0.5 x 11.2 inches
Shipping Weight: 9.6 ounces
Average Customer Review:
3.6 out of 5 stars
9 customer reviews
Amazon Best Sellers Rank:
#1,100,932 in Books (See Top 100 in Books)
A little background: I'm a freelance photographer, not an assistant. I bought this book right after I got out of photography school as a means of learning more about the industry and what potential photography-related jobs might be available to me. What I came to understand is this: if you think being an assistant is a cool part-time job or just something you'll do until you can start making money as a photographer, think again. The most compelling reason to work as a studio assistant is to learn how studio photography works (and doesn't work), and it takes time to do this -- generally years and not months.Also, if you have no intentions of getting into studio photography, this book may be of limited use to you. While various disciplines are discussed at one point, they are not covered in enough detail to really help you understand what's going on. In short, this book is about helping photographers to set up a scene (either in a studio, a church or an office building) and photograph that scene. Some examples would be fashion photography, weddings, food, products, still lifes, etc.That said, Proulx gives a wealth of information about what it's like to be on the set of a photo-shoot and generally leaves no stone unturned. You quickly realize that buying a box of doughnuts or cleaning a bathroom sink will be just as much a part of your job as setting up backdrops or strobe lights. It's not glamorous and it's not high-paying, but if you want to learn how a successful studio operates (so that you can run your own one day) there's no better way. Perhaps the most valuable asset this book provides are all the little tips and tricks of the trade...how to negotiate terms of pay, what kind of tape you need, how to keep your tools organized, etc.However, I find it a little disconcerting that Mr. Proulx cosiders himself as still learning the trade even though he's been doing assitant work for over ten years (if memory serves me correctly). That is not typical I can assure you and I think it is something the author overlooks in terms of his advice to people starting out. The bottom line is, you can learn a lot from being an assistant for a couple of years and it will help you tremendously when setting up your own business, .... It would seem Proulx never made the decision to "take the last step" and start a business of his own..... If you're interested in studio photography, get this book.
This is a wonderful book, packed with secrets and essential information for people wanting to enter the profession of commercial photography. Assisting is a great way to learn the business.Matt's easy-to-read personable (and sometimes outright funny) text reveals a deep understanding not only of the fine points of assisting but how starting photographers, working without assistants, should manage their jobs. This is a book not just for assistants but also for pros who want an insider's look at how the bigger jobs are done successfully and what a good assistant can bring to the shoot.Matt offers tricks that are worth their weight in gold to keep disasters from happening on your next job.Photographers wondering how to start working with an assistant and what to expect from one should read this book too.So this is not just for assistants. If you're a photographer that doesn't yet know it all I (I'm one) then you need to read The Photographer's Assistant Handbook. It will help make you a good assistant and a better photographer.Disclosure: I'm one of many pros mentioned in this book. Matt has learned and taught well.
The field is evolving so fast that this book now seems outdated. Still, some classic advice for people new to the work world (be early, be prepared) never go out of style. But if you already know how to be a good employee, you might not need this book. I bought it, looked it over, decided that I already knew the "good worker" stuff, and that the photography stuff was outdated, so I got rid of it.
Matt worked on several shoots for me while he was assisting one of the top photographers in the country. Matt's knowledge of his craft was exceptional. He was the consummate professional in every aspect. One of his finest qualities was to be tireless, or appear to be while on the job. Working long hours, he never complained about the ridiculous tasks being asked of him and always offering suggestions on how to improve a shot. Every assistant could learn something good from this remarkable person.
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